中国大陆记录片《石头纪》超清线路
石头纪剧情简介
一個腦(🔨)海(hǎi )(🆓)充滿(mǎn )哲(🐽)思的(📼)人，面對400噸的石頭以及原始空間與時間的思考。 當藝術(shù )家展(zhǎn )望向我講(jiǎng )述他的作品(pǐn )"我(wǒ )(📼)的宇(🚤)宙"草圖時，我(wǒ )的腦海中只能形成(chéng )模(🚉)糊的概念。他計(jì )(🎿)畫(huà )爆破一(yī )塊巨(jù )石，用高速(🚑)攝像(xiàng )機從六個(🐖)不同角度拍攝爆(📎)炸的場面，然後(hòu )將(jiāng )六面(😞)體視頻錄影裝置與碎石不(🥔)銹(💻)鋼(gāng )進行(📙)重組實驗(yàn )。他讓我拍(🙄)攝(shè )下整個過程，並(bìng )說，"人類是不可能知道(⛳)宇宙的起源的(de )。"我對此(🤘)表(biǎo )示(❕)贊(💝)同，決意參與。展(zhǎn )望執(zhí )行著他(🈸)的計畫，尋(⛏)找石頭，聘(🃏)請爆(bào )破(pò )專家，協(🐩)調高速攝(shè )影團(💿)體。但(🈺)當當(📧)地員(yuán )警發現(📛)一名外(💏)籍"記(🐞)者"正在對這個過程進行記錄拍攝時，村支書收回(huí )了展(zhǎn )望在其(qí )管轄範圍內進(🛃)行大規模爆破活(huó )動的(🕺)許可。原本沉浸於(🏸)對(duì )天(tiān )際(🈺)星體的冥想中(zhōng )的藝術家展望此時被迫轉向與(😲)地(dì )(🐅)方官(guān )員的周旋。幾費周章，好事多(♊)磨，展(🏗)望最後(hòu )還是爭取到(⛎)了爆破活動進行的許可，過程實屬不(😻)易(♈)。到底是對西方理性與科學(🕤)的嘲(🥈)諷(fěng )？(📸)找尋生命的(de )意義？展現當代中(zhōng )國思(sī )想？(🧔)抑或僅是(🚹)展(zhǎn )望本(běn )人(rén )博(bó )雜(zá )思(🃏)想體(📛)系中(zhōng )的一點閃(shǎn )光？ 紀(jì )錄(⛄)片《石頭紀》之中，宇(🙇)宙與(🆕)觀(😫)念、(💓)物質、社(💦)會現(xiàn )實(🌟)以(🔀)意(🛥)外(🐊)、力氣的方式互相遭遇(🚖)。 When artist Zhan Wang showed Director Richard Widmer his first sketches for the "My Universe" project, the filmmaker could barely grasp his idea. Zhan wanted to blow-up a huge rock, film the explosion from six sides in ultra slow motion, and then recreate the experiment with a six-sided video installation and rock fragments made of stainless steel. And he wanted the entire process filmed. "Humans cannot possibly understand the origin of the universe," hypothesized Zhan Wang, who invited the filmmaker to go along for the ride. Zhan Wang finds his rock, hires pyrotechnics specialists, and coordinates his high-speed video team, but when local police discover that a foreign "journalist" is recording the proceedings, the village's Party Secretary refuses Zhan Wang permission to make a large-scale explosion within his jurisdiction. Instead of contemplating the stars in heaven, Zhan Wang is forced to grapple with local politics. And when Zhan Wang finally wins permission, even the heavens seem to conspire against him. Whether or not you believe in God, recreating the Big Bang will not be such a simple matter. Mocking Western reason and science? Searching for the meaning of life? Projecting a contemporary Chinese ideology? Or is Zhan Wang himself merely a single point of light shot from its source into eternity? LEGEND OF THE STONE tells the story of an artistic encounter with the universe and the unexpected collision of conceptual, material and social reality.
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